| 在现当代文学中，纪德的作品是一座富矿。纪德是一个追求自由的作家，他的道德忧虑与他所设想的解决之道相互交替地影响着他的世界观。他思想的多向性涵盖了当时所有的社会难题，他对道德、义务及其根基提出质疑。他呼唤真诚，向往成为真我。他又是一个不断求索、进取的作家，他既有扎实的传统文化的功底，又不断更新创作理念，寻求新的创作方法和手法。随着对纪德作品日益深入的了解和理解，我们国内对纪德的研究也将更深入地开展起来，西方学者的研究成果对我们中国读者来说，不啻是一种参考和借鉴，它们可以促使我们拓展视野，寻找新的思路、新的视角、新的方法。
After I have finished reading Artur Wardega's book titled “The Technique of mise en abyme (story within story) as employed in André Gide's Les Faux-Monnayeurs (The Counterfeiters)”, I became enthralled. Wardega, a Polish scholar, possesses profound knowledge and is a meticulous thinker. While focusing on the ideological side of Gide's works, he has also devoted a lot of his efforts to the careful analysis of the internal structure of his novels, especially the mise en abyme in The Counterfeiters.
读了万德化先生的硕士论文《安德烈·纪德的 < 伪币制造者 > 一书中的“纹心结构”》，很是令人欣喜。万德化先生是一位法国学者，学识丰富，思想缜密。他在关注纪德作品的思想内涵的同时，对纪德作品内在结构的分析也付出了大量精力，尤其对《伪币制造者》中的“纹心结构”更是作了专心致志的研究。
By tracing the origin of mise en abyme in great detail and by expounding its unique structure and significance, Artur Wardega has found something new and fresh. By borrowing the repeated image of the “reflexive mirror”, he guides us as readers into the Gidean world of mise en abyme before he shows us how Gide organically combined the technique of “external narration” with that of “inserted narration”. It is a fascinating experience to read Wardega's exposition of these themes.
万德化先生在其论文中翔实地阐述了“纹心结构”的来龙去脉，它的独特结构及其意义，令人耳目一新；他又借用反复反射的镜象引导读者进入纪德世界的“纹心结构”，指出纪德将“外缘叙事”和“内嵌叙事”有机地结合起来，读来令人回味无穷，万德化先生的论述也让人读来兴趣盎然。
In addition, Artur Wardega has vividly illustrated mise en abyme in Gide's novel from the perspective of musicology. By comparing the novel to a multi-part musical composition featuring the technique of counterpoint, he guides the readers in their appreciation of “the story within the story” as created by André Gide. He goes on to say that all the events and characters in the novel are interrelated and juxtaposed; he thus helps the readers to experience the faithful duplication of mise en abyme of the main theme in Gide's novel.
万德化先生借用了音乐性的视角来形象地阐明纪德小说中的“纹心结构”，他将小说比作一部多声部的对位作品，帮助读者来体验纪德所创作的“小说中的小说”，揭示出纪德小说中各个事件、各个人物间相互映照，相互对称的关系，帮助读者来体验纪德小说中忠实地复制作品主题的纹心结构。
Professor Zhu Jing, Docteur-ès-Lettres
Fudan University
朱静（复旦大学教授、博士生导师）
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